The color works that follow all began as black-and-white photographs, then digitally painted and reworked. Not to clean them up, but to open them up. To bring in an organic layer — life and color — something that sits between photography, drawing and memory.
Softer, stranger, more internal.
POOL
The body is still there, but partly dissolving into texture and gesture. The figure is there, but not fully given.
Part of the image hides, part of it leaks out.
Produced as a limited edition archival pigment print on Hahnemühle Torchon, a heavy textured fine art paper, 285 gsm, made from 100% alpha-cellulose.
Signed and numbered by the artist. Full print details on the acquisition page.
Next: Blush
BLUSH
Sometimes nudity takes over and the photograph is lost.
Adding layers. Organic expression.
The body is no longer the distraction.
Produced as a limited edition archival pigment print on Hahnemühle Torchon, a heavy textured fine art paper, 285 gsm, made from 100% alpha-cellulose.
Signed and numbered by the artist. Full print details on the acquisition page.
SLIP
A photograph that slipped.
Loosened. Blurred. Opened.
Between sensuality and disappearance.
Produced as a limited edition archival pigment print on Hahnemühle Torchon, a heavy textured fine art paper, 285 gsm, made from 100% alpha-cellulose.
Signed and numbered by the artist. Full print details on the acquisition page.
NEGATIVE
Between objectification and art.
Negative. Grid. Obstruction.
Flirting. Resisting. Something stranger. Less settled.
Produced as a limited edition archival print, on Hahnemühle Photo Rag Metallic 100% cotton rag paper.
Signed and numbered by the artist. Full print details on the acquisition page.